Unnatural deeds do breed unnatural troubles (Macbeth)

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The line ‘Unnatural deeds do breed unnatural troubles' summarises the play ‘Macbeth' very effectively because it is closely linked to the major themes of the play. The corrupting nature of unchecked ambition is a central theme in the play and this line illustrated this theme thoroughly as Macbeth and Lady Macbeth's ambitions drove them into committing corrupted deeds that led to unnatural troubles haunting them. The main theme of ‘Macbeth' the destruction wrought when actions derived from ambitions which are unchecked by moral constraints are carried out, finds its most powerful representation in the two protagonists of the play, Macbeth and Lady Macbeth. Macbeth was a valiant and courageous Scottish general who was not inclined to commit evil and murderous deeds, yet he deeply craved for power and advancement. When a chance presented itself (represented by the witches' prophecies of Macbeth becoming king), Macbeth seized it by committing a vile and ‘unnatural' deed murdering Duncan, the King and also his relative. The difference between kingship and tyranny is also closely linked to the line ‘Unnatural deeds do breed unnatural troubles' as Macbeth's ‘unnatural deed' of tyranny led to many ‘unnatural troubles' acting on him and the kingdom of Scotland. Macbeth's tyrannical ways had led to a chain of ‘unnatural troubles' as firstly, the once peaceful country became chaotic and was in turmoil as Macbeth only cared about demolishing potential threats and opposition to his throne; and secondly, this tumult in Scotland and Macbeth's evil ways roused Malcolm, Macduff and other Scottish lords to revolt against Macbeth's throne (‘Fit to govern! No, not to live. O nation miserable! With an untitled tyrant bloody-sceptered, when shalt thou see wholesome days again…' Act IV, Scene , l10-106) and giving his last ‘unnatural trouble', as this power finally defeated him. The line ‘Unnatural deeds do breed unnatural troubles' encapsulates the play ‘Macbeth' very successfully as all evil and vile doings in the play bought calamitous consequences to its performer and in some cases, others around him.

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