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The extraordinary adaptation to screen of Virginia Woolfs acknowledged masterpiece, Mrs. Dalloway, is the end result of a collaborative effort by some the finest talents of our time, including Oscar-winner Vanessa Redgrave in the title role; Marleen Gorris (Academy Award-winning Dutch film, ANTONIAS LINE) as director; and Eileen Atkins, award-winning actress and co-creator of the popular British television series, Upstairs, Downstairs and House of Eliot, as screenwriter. Atkins has recently focused her energies on giving dramatic life to Virginia Woolfs literary legacy, appearing as Woolf, both off-Broadway and on tour, in her one-woman show, A Room of Ones Own; adapting and reading Woolfs diaries for a five-part BBC radio series; and starring as Virginia Woolf on Broadway in 14 in her own play, Vita and Virginia, with Vanessa Redgrave as Vita Sackville-West, Woolfs inspiration for Orlando. MRS. DALLOWAY is a romantic drama with deep psychological insight into the world of urban English society in the summer of 1, five years after the end of World War I. During the course of a single June day, Clarissa Dalloway (Redgrave), a fashionable perfect hostess in her early fifties, confronts the decisions she made as a vibrant young woman thirty years before. She wonders if she was right to have chosen a safe, comfortable marriage to successful politician Richard Dalloway over the more romantic and adventurous life she could have had with her other suitor, Peter Walsh, who unexpectedly returns from India on this day of all days. Her emotions range from exultation during her morning walk down Bond Street (What a lark! What a plunge!) to introspection and confusion over her encounter with Peter, to irritation over her daughters seemingly inexplicable friendship with the dowdy religious fanatic, Miss Kilman. And finally, she empathizes with a complete stranger, Septimus Warren Smith, whose shell-shocked madness and final gesture of despair intrude upon her evenings gaiety with the sobering reality of a memento mori. For, his destiny--though they never meet--strikes a melancholy chord of truth deep in her soul that she cannot deny. MRS. DALLOWAY co-stars Natascha McElhone (THE DEVILS OWN and SURVIVING PICASSO) as the passionate young Clarissa of 180; Rupert Graves (A ROOM WITH A VIEW, THE MADNESS OF KING GEORGE, DIFFERENT FOR GIRLS, INTIMATE RELATIONS) as Septimus Warren Smith, the shell-shocked war veteran; Michael Kitchen (ENCHANTED APRIL, OUT OF AFRICA) as the older Peter Walsh; Alan Cox (AN AWFULLY BIG ADVENTURE, YOUNG SHERLOCK HOLMES) as the young Peter in 180; and Lena Headey (REMAINS OF THE DAY) as Clarissas young friend Sally, who intends to lead a Bohemian life but turns up at Clarissas party as Lady Rosseter--played by Sarah Badel--a thoroughly happy, upper middle-class matron.
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Produced by Lisa Katselas Par and Stephen Bayly (producers of the Academy Award-nominated RICHARD III), executive produced by Chris J. Ball, William Tryer, Simon Curtis and Bill Shepherd, and co-produced by Hans de Weers (producer of the Oscar-winning ANTONIAS LINE), MRS. DALLOWAY is directed by Marleen Gorris from a screenplay by Eileen Atkins. First Look Pictures will release MRS. DALLOWAY in February, 18. bkjhj
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