Monday, June 25, 2012

Which Political Part is Responsible For the most social programs?

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In order to identify which political party is responsible for the most social programs, one must first understand the ideology and history behind each party. Looking back in history, the United States (US) has always had a two-party system. During the Jefferson Era there was the opposition between the Federalists (those in favor of government control) and the Anti-federalists (those in favor for less government control). Now in the 1st century the competition is between the Republicans and the Democrats.

A Historical Briefing on the Republicans

In beginning, the Republican Party represented a certain kind of America nationalistic, Protestant, Anglo-Saxon, and those committed to a strong federal government. The National Republican Party was founded in 1854 by a coalition. The coalition was composed of former members of the Whig, Free-Soil, Know-Nothing parties, and Northern Democrats who were not satisfied with their party’s attitude toward slavery. (It was democrats who favored slavery and the republicans who opposed.) It was the Civil War and Reconstruction that gave the Republican Party solid strength in Washington. They controlled most of the elective offices in the North and for years after the war they denounced the Democratic Party as traitors of democracy.

“The Republicans did try to build support in the South by appealing to the long-established Whig groups there to join with newly enfranchised blacks. Republican leaders argued that Whigs and blacks had a common belief in the need for strong government action in society, but these arguments were ineffective in the face of racist campaigns by the Southern Democrats. Support for black rights waned when Republicans perceived that this support was costing the party needed votes, but even this did not help the party in the South, where the blacks were disfranchised and the whites for the most part remained Democratic.”

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The republicans were often troubled by internal disagreements. The moderate and radical republicans often fought bitterly over war aims, slavery, and equality rights. Radicals wanted to use the war to end slavery and give slaves their freedom, but moderates rejected the idea that slaves could ever gain racial equality or justice. During the Industrial Revolution the party often quarreled about events such as prohibition, corruption in the government offices, industrialization, and immigration.

Then the Great Depression arrived. This era in America destroyed many Americans belief in prosperity and its faith within the Republican Party. This era caused the Republican support to drop dramatically, and with that decrease in votes, the Democratic Party won five straight elections over the next couple of years. During the 180 the party began taking a more conservative approach on economic and social issues in America. Over the next few years the Republicans battled through many issues, Watergate Scandal and the Iran-Contra affair, which left their party scorned. Now here in 00, the Republican Party is the most dominant party in the Senate and the House.

A Historical Briefing on the Democrats

The Democratic Party origins can be traced to the coalition, originally called the Republican and later the Democratic-Republican Party, that was formed behind Thomas Jefferson in the 170s to resist the policies of George Washington’s administration. The party then split into two factions during the presidential election of 188�the National Republican Party and the other became the Democratic Party.

The democrats were willing to use government power when foreign affairs threatened the interests of America, but they stressed that the national government should do nothing that the state and local governments could do for themselves. The party supporters were mainly southern plantation owners and immigrant workers in northern cities. They all had a common dislike of the government interfering in their lives, meaning that they opposed the Whigs (Republicans), who believed in using governmental power to promote, regulate, correct, and reform.

During the Civil War period, the Democrats refused to accept the fact that the country need to increase its government power in order to fight the war. The opposed the following factions draft, social changes, increased government power, Republican tariff and taxation policies. All those following things caused the Republican Party to charge them with disloyalty. During the Reconstruction period, the democrats made use of the race issue in the North, dealing with white hostility to blacks. As time wore on, the Democrats were not able to become a majority in the US, and they were only able to win when the Republicans were dealing with controversial issues that threatened their party. The party often dealt with factionalism among them, which cost them dearly when it came to presidential campaigns.

“Factionalism had always existed among Democrats, as different regional, social, and economic groups maneuvered to define the party’s stance and candidates; sometimes, as in the realignment of the 1850s, such factionalism cost the party dearly. Late in the 1th century, however, it got entirely out of hand, as three groups fought for control in an increasingly harsh atmosphere. One bloc comprised the traditional Democrats behind New York’s Grover Cleveland, who was president from 1885 to 188 and from 18 to 187. Strong in their memories of Jackson and the Civil War, they still espoused the conventional policies of limited government activities. A second group consisted of the urban political machines, which won the support of immigrants by helping them adjust to conditions in a new country. A third faction was made up of restive groups in the South and West, reacting against the new industrial and centralized economy. Angry farmers and small-town entrepreneurs, feeling badly squeezed by the new economic forces, wanted a shift of Democratic policies toward more vigorous government intervention in their behalf. They were strongly resisted by the traditionalists who ignored, were complacent about, or sometimes cooperated with the new forces the agrarians detested. The urban political machines remained at arm’s length from both, feeling estranged from their values and outlook.”

The party often lost votes because of its hostility to unions, strikes, and the civil service reform. In the mid-0th century, the Democratic Party began to change its image. In the 10s through the 140s, the party became a party which favored government intervention in the economy, social policies, regulation and redistribution of the wealth to benefits those who were less fortunate, and etc.

During the Great Depression, the democratic leadership allowed the government to expand its role in social welfare and economic regulation. During this period the democrats opened to polls to several new groups, such as blacks, who had been Republican for generations. It was this during this period that the Democratic Party controlled Congress in all but four of the 48 years between 1-181. As the party solidified its support among blacks, it lost southern whites and northern labor and ethnic voters. In 176, Jimmy Carter brought the south back into the Democratic “camp” for the first time since 144. The social values and the changing economic policies caused many southerners to shifted away from the Democratic Party.

After Regan and Bush, the Democratic Party regained the presidency in 1. It was the Democratic “period” which reenergized the economy and eliminated the deficit in one year, and by 18 the budget showed a surplus. In 17 the Democratic Party faced controversial issues for illegal campaign contributions and fundraising practices. Then in 18 the party was disrupted once again by claims that president Bill Clinton had an affair with White House intern, Monica Lewinsky. The Republican voted to impeach Clinton, but this event left the Republican Party scorned and rather helped the Democratic Party. In 001, after much legal dispute, Gore lost the election to George W. Bush. Many Democrats believe that their losses were an aftermath of President Bush’s popularity.

Democrats & Republicans�The Political Spectrum

“A Republican and a Democrat were walking down the street when they came to a homeless person.

The Republican gave the homeless person his business card and told him to come to his business for a job. He then took twenty dollars out of his pocket and gave it to the homeless person. The Democrat was very impressed, and when they came to another homeless person, he decided to help. He walked over to the homeless person and gave him directions to the welfare office. He then reached into the Republicans pocket and gave him fifty dollars.”

The Democratic and Republician Parties are the two most closely related parties which sit on the moderate scale on the Political Spectrum. The right wing in America is also known as Conservatism and the left wing is known as Liberalism. There are various different opinions about what is actually being measured along this axis

· Should the state foucs on equality (left) or liberty (right)?

· Should the government’s involvement with the economy be “interventionist” (left) or laissez-faire [policy of noninterference] (right)?

· Should the government be secular and separate itself from religion (left) or should the government take a stance of religious morality (right).

· Embrace change (left) or propose a justification for change (left).





“Those ideas normally ascribed to the Democratic Party are referred to as being to the ‘left’ of the political spectrum. Ideas associated with the Republican Party are often referred to as being to the ‘right’ of the political spectrum.”

The Left Wing is believes that the government should hold control over most private enterprises and believes that the government is responsible for securing social programs for the people. These social programs include medicare, Social Security, welfare, and things of that nature. The Right Wing believes that the state government has the upmost power to control their state, and that the government should not interfere if it is not utterly necessary.

So which party is responsible for implemented the most social programs and where does the money come from?

Through aggressive research, it has been found that the Democratic Party is responsible for the most social programs. It is only recorded that the Republican Party wants to cut taxes, but cutting taxes would create social policy cuts as well. In a republican “world” it has been founded that only the rich benefit from tax cuts and coroporations hire people who a willing to work for minimum-wage.

“Welfare reform [in republican practices] means that in tough economic times -- the very times welfare is needed most -- the government has little to offer the poor and the jobless. Those wealthy enough to walk away with one of President Bushs huge tax cuts arent complaining. Nor are corporations who can hire from an expanding pool of low-wage workers. But the rest of us, who find our jobs ever less secure and our community resources strained, are left to pay for poverty.”

It is the tax payer’s who pay for those social programs. Many complain about the increase in taxes and ponder about the benefits of tax increases. Tax increases help balance the budget and tax increases provide the public with social programs. Tax increases also allows our military to continue to defend our country. In the end the Congress can propose social programs but it is up to the President to enforce those social programs. (Or the Senate & House can override the President’s veto with -rd votes.) In short, social programs are paid for by taxpayers, but the social program itself is a refund to those taxpayers.

“Republican Party, Microsoft® Encarta® Online Encyclopedia 00

http//encarta.msn.com � 17-00 Microsoft Corporation. All Rights Reserved.

“Democratic Party, Microsoft® Encarta® Online Encyclopedia 00

http//encarta.msn.com � 17-00 Microsoft Corporation. All Rights Reserved.

“Republican & Democratic Differences”

http//www.joe-ks.com

“Political spectrum” Left and Right

http//en.wikipedia.org/wiki/Political_spectrum

“Teaching the Political Spectrum Providing a Vocabulary to Understand Political Viewpoints” www.lahapkido.com/teach.html

“The Role of Government in Society”

http//members.aol.com/farmboybk/ch054.gif

“The Political Spectrum,” http//www.d4.org/social_studies/political_spectrum/political_spectrum.htm

“Who Pays for Poverty”

http//www.commondreams.org

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Monday, June 18, 2012

sports should we be required to play them

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should sports be required in school. recently ive been given a topic fror debate on this and here is what iv e found. IF WHOLE CLASSes were required to play a sport than the people whod dint want to be there would ruin the expierence for the people who did want too be there. the people who didnt want to be there wouldnt care if the team won or loss. if they werent there then there would beonly people who wanted to be there on the team. also many people dont have time to be there and are invoved with other after school curriculums like dance, music , etc.

Some studens=ts wouldnt be good at sports and may be picked on for not being good. ALso there have been 75 injuries reported in sports and 5 deaths . although there is a very big chhance of dying while playing sports it can still happen , if you have an illness with your heart that you my not be aware of.I THINK THAT SPORTS SHOULD BE OPTIONAL LIKE NOW, AND IN THE FUTURE. AS I KNOW THE DEBATE TEAM IM GOING AGAINST WILL SAY HOW IT IS HEALTHY and how blah blah % of kid are obes, but if they really want ed to do something about thhey woulld stop the manafacturers from making fatty foods and there are other ways that one can dget fit , but privately, not with other people. they will also say it will builsd character such as being a good sport, knowing how to lose etc. but u dont need to play a sport for 8 years to learn those lessons. most kids play a sport and learn those lessons and if they dont like them they quit. and find something more better for them, like if theyre short they dont play basketball, or if they dont have hand - eye corranatiopn they dont play baseball, r if they dont ruun good, they dont play a number of sports because theyre are not for them.

Please note that this sample paper on sports should we be required to play them is for your review only. In order to eliminate any of the plagiarism issues, it is highly recommended that you do not use it for you own writing purposes. In case you experience difficulties with writing a well structured and accurately composed paper on sports should we be required to play them, we are here to assist you. Your cheap custom college paper on sports should we be required to play them will be written from scratch, so you do not have to worry about its originality.

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Eva Luna and Magic Realism

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Eva Luna Magic Realism

Eva Luna by Isabel Allende embodies magic realism. Magic realism is a perfect device in an oppressed environment such as Latin America, to express and voice opinions or use as a means of social change. Magic realism takes the harsh truth and everyday reality of society, wraps it in the silky evocative language of myth, magic and fantasy, thus creating a softened blurred boundary between reality and surreality. Through this blurred realm can the author interweave themes and create awareness of social and political injustice and unobtrusively challenge the oppressive views constructed by society. Magic realism in Eva Luna is evident and embellished through the structure and language of the narrative, the characterization, the contrasting environments, time and change, intertextuality, political / historical representation and context, and through themes such as death and remembrance, cultural identity, the use of storytelling and the union of opposites.

The structure and language of Eva Luna creates the basis for magic realism. The figurative, evocative language and vivid imagery fabricates the magic and fantasy of everyday scenarios Eva lives through. The opening paragraph places us squarely in a world of magic created to displace ourselves from reality. The language allows the reader to magically see, hear, smell and even taste the world as the characters experience such senses. Like the language, the story line is that of magic and fairytales. The plot is set as a myth, beginning with a clear title and character name. The main character Eva has heroic father and mother figure, a miraculous conception, and goes on a journey of discovery, meeting friendly helpers with magical gifts. During this journey Eva undergoes a magical transformation from a domestic to a liberator, rescues her love, saves the prisoners and lives to tell the tale. The fairytale then ends with the expected ‘happy ending’ of love forever. But yet at the end, Eva suggests and admits that this is not so, that in reality love failed and that we ourselves construct reality in the image of our desires. This leaves the reader questioning and wondering whether the story Eva told of her experiences were in fact truth or the image of reality according to her desires.

Eva Luna is filled with a myriad of characters all in some form impacting the development of Eva. This collaboration of characters presents to the reader conflicting and contrasting perspectives of values and ideals. Eva Luna is a female created by a female writer, in a text that shows women as they see themselves, not as men would see them. This offers a construction of both men and women, that does not support popular views, or expectations of genders based on stereotypes. Eva is a woman empowered by her experiences, her imagination, her gift of storytelling, her lineage, background and her sexuality and she uses these gifts to move and adapt to each character. Rolf Carle is Eva’s Masculine counterpart and lover. Eva and Rolf create the typical myth of two lovers thrown across two sides of the universe. Both must make their way to each other to become their complete self and gradually become whole. Huberto Naranjo is a brother figure to Eva and was once a lover. Despite his revolutionary ideas, never does Huberto allow revolution or change within his ideas of gender values and relations. This makes relationship with Eva impossible. Riad or also known as ‘The Turk’ is the father figure to Eva. He gives birth to a second Eva by taking her to Agua Santa where he gives her, emotional and financial support, freedom, proof of existence (identity) ability of reading and writing, guidance and eroticism. As Eva moves and adapts through the different characters she collects family. Madrina is her godmother, Elvira is her grandmother, Mimi is her sister, Huberto is her brother, Riad is her father figure and Rolf is her lover (Note all male figures are at some time lovers- reflects Eva’s attitude towards men).

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The comparison of environments enhances notions of magic realism. A perfect example is the difference between, La Colonia an Austrian colony in the middle of South America and Agua Santa a remote town that thrives and grows in its natural environment. La Colonia is an imposed environment, artificially separated from the outside world. In the text it is described and compared to that of the stage or movie. It is so perfectly created to idealize and ‘act’ as the perfect homeland with pure race, pure ethics, seemingly innocent characters (twins), perfect marriage and perfect love. All is perfect because of the escape the characters have from the true surroundings (reality, nothing is ever perfect). The environment has such wholeness and completeness that there is no further development with time (like a story ended, has no where else to move from). Agua Santa on the other hand, is not a perfect environment, but yet is realistic. It has a culmination of cultures and a thriving commerce. It is a place of creation and productivity where characters can grow and learn. Agua Santa is where Eva grows, sexually, intellectually, and physically. Here she has a sense of purpose and place, where as Carl only grows sexually in La Colonia and he feels ‘intoxicated’ and ‘smothered’ by it appearance. Agua Santa does not distill and preserve reality according to desires; rather it works towards desires through reality.

Magic realists incorporate many techniques that link to the primary feature of Hybridity. Hybridity links and joins opposing themes to create a more deep and true reality than realist techniques use (they just reflect world). Paradoxes within Eva Luna are common, using an opposite to create the opposite i.e. Life vs. Death (birth on deathbed, takes deathly encounters to realize importance of life), Light vs. Darkness (shadows and illusions/ reality and fiction. Takes fiction to come to the realization of reality), there is the paradox of words i.e. Palace of the Poor (Poor people don’t have palaces) and the physical union of opposites (brings together the best or the worst in mixing opposites) i.e. Eva’s parents (physically opposite, Eva gained the best qualities of both parents) Uncle Rupert’s Dogs (formulated that best created through crossbreeding of pedigree dogs) and Madrina’s twins (one black and white). Another paradox is that those fighting against oppressive violent means all gain freedom through violent means (Guerillas, Rolf and fathers death) Zulema (Riad and sense of duty) gain freedom when Riad was away, erotic purge with Kamal and finally Suicide.

As magic and myth cloud the narrative, a distinct sense of time is undistinguishable. From the evidence portrayed time seems to progress in a sequence (like evolution). It seems eternal, changing with time and flowing in a circular motion. This cyclical time sense dominates the narrative, fusing together the beginning and the end (foreshadowing) i.e. Eva’s birth begins with the Indians and at the end Eva meets the Indians, the gift of the Belly Dance is played at the beginning and end and the nugget on string is a motif given at both the beginning and end of the novel. Tradition (storytelling and rituals) is circular and changes as it is passed down in time. Even the chapter structure is cyclical with time. Chapters One and Two introduce both Eva and Rolf while Chapters Three and Four each individually deal with the death of a parent and the moving to a new environment� eventually coming closer together, two souls becoming complete at the end.

Reality itself can transform through the process of writing. Eva uses storytelling to emphasize and displace reality. An example of when Eva’s storytelling displaces characters from reality is the impact Eva’s stories have on Zulema “my stories... romantic ideas that distanced her from reality”, Eva’s stories constructed love and created the image of Zulema’s desires leading her to be emotionally dependent on her ideals of love. Eva emphasizes reality through her television series Bolero when it was used as a device to express ideas and footage (guerillas) without censors and when Eva retells the ending of Rolf’s family future (makes him cry in realization that it will never be). It’s ironic, that although we live in reality it takes a fictional perspective to come to realization of reality.

Eva Luna writes with experiences for fulfillment of self. It is a literary oral tradition, she learns from mother to use as a tool of barter, survival, escape and emotional comfort. Eva uses words to change, recreate, change, shape, and distort reality. It gives her the ability to shape events through narration and represents Latin American women’s desire for equal power and social justice. In a world so economically, socially and politically oppressed, words are of great value for “Words are free…reality is not what we see on the surface; it has a magical dimension as well and, if we desire, it is legitimate to enhance it and colour it to make life less trying” and one Eva’s most valuable gifts given was the ability to read and write.

The use of myth and fantasy is a common form and trait of magic realism used to connect themes and plot with contextual knowledge. The intertextuality of One Thousand and One Arabian Nights and has a significant effect on the interpretation of Eva Luna. The story is quoted as in Eva Luna “…tell us a story to pass away the night”. This is one of the only texts actually named in all Eva’s collection of books. Riad gives Eva this story, and becomes “…immersed completely, losing sight of reality…erasing all limitations”. The Arabian Nights tells the story of a Prince who takes a concubine each night and if he is displeased in the morning she dies, until Scheherezade is chosen. The prince that night asks for a story and she raptures him in such a story that he forgets about his usual routine. He falls in love with her and marries her. Thus storytelling keeps Scheherezade from an undeserved death, setting up the primal theme of salvation through Storytelling But also through her collective stories of myths and fables she saves not only herself but all women oppressed, putting an end to death and suffering by non-violent means. The significance of such a theme becomes evident when we place this in cultural context and the common writings of Latin American feminist authors.

The mythical use of a name is a sacred ritual, calling the previous unnamed into existence, giving it a destiny. It is intimate private and personal. When Eva Luna attempts to speak to a Native American Indian she is stopped and told that, “…it would be discourteous to ask. For these Indians, to name is to touch the heart; they considered it offensive to call a stranger by a name…” The title and first sentence of Eva Luna determines the name of the main character thus determining her purpose and destiny in life. So it is determined, to have a name is to have a purpose in life. Eva’s mothers name Consuelo means to console (consoles Indian on deathbed, consoles Eva when afraid or alone by presence). Eva Luna’s name means Eva meaning life and Luna meaning moon which is a cyclical matriarchal symbol that reflects life (reality). It can be predicted by her name that Eva is a character that is unwilling to let death defeat the gift of life. Characters like Jochen Carle denies surname as it labels and connects him to his father, a figure we would not like to relate or share future with. There are also characters lacking names. Frau Carle and the Mother Superior are denied individual identity because it is assumed by and labeled under the more powerful figure (Lukas Carle and God). Names are also stereotyped and categorized by cultures (El Negro, El Portuguese, Russians) and political figures personal names are excluded (El Benefactor, Lawyer) due to unimportance.

“There is no death, people die when we forget”. The preservation of memories is a strong magical force that can resurrect life and unheard voices and defeat death itself. There are many forms of remembrance throughout Eva Luna. Storytelling is only one form to keep ideals alive and unforgotten. Without words “… it would be as if nothing happen- what is not void scarcely exists; silence would gradually erase everything, and the memory would fade” There are visual and verbal forms of remembrance (Visual- Rolf’s documentary and Verbal- Eva’s stories) but there is also artificial preservation as represented by Dr Jones cadavers and La Colonia. Dr Jones and Eva recreate figures so they become a positive rather than a negative figure and set preserved images of the figures to last eternity (Both shape reality to desire; shape memories to desire of how society desires them to be remembered) “…the dead came alive with an illusion of eternity; those who had been separated were reunited, and all that had been lost in oblivion regained precise dimensions”. It is ironic that, like how fiction can grab reality, death can create and grab life. Attitudes towards life can change during death experiences. Dr Jones, for example, a man who dedicated his life to preserving death, realizes at his own death that life is more important. Elvira feared a pauper’s death and brought herself a coffin, ready for death, then changed perspective of death and life when her coffin (her symbol of death) saves her life from a flood.

In comparison to magic realism, the ‘realist’ novel is faithful to actuality in its representation of political events and figures. Eva Luna does not accurately record political dates or significant events, rather is clouded by the magical events of Eva’s life. The characters who posses power are represented critically. Apart from Aravena and Rodriguez, the powerful figures in Eva Luna are represented stereotypically and they have a sinister presence. Revolts, skirmishes with military presence, corruption, glimpses into strategies employed by terrorists, street gangs, turmoil’s in the capital city, tales of barbarism, coups, rebellions- all these constantly in the background of the text and although they are not accurately connected with the context, they create a realistic voice in representing class struggles. This complex and rich history and culture has affected the way Isabel Allende writes about her experiences. Historically, in Latin America, females have been seen to be passive, nurturing and sexually pure. However Allende’s reality is in conflict to this image and Allende’s construction of Eva is all but passive. Allende also claims that life in Chile is very political so therefore she does not want to write about politics or accurate historical events, rather the hidden history of passion, love and the events and everyday life of the people on the streets, exploding them into larger than life characters in whirlwind adventures based on themes of social courage and development; all by using magic realism.



The use of painting a dull oppressive reality with the bright vibrant fantastical colours of magic realism is a vehicle to voice the opinions and rights of the repressed on political and social change and gender construction in Latin America society. Eva Luna written by Isabel Allende, embodies and exemplifies the spirit of magic realism through the structure and language of the narrative, the characterization, the contrasting environments, time and change, intertextuality, political / historical representation and context, and through themes such as death and remembrance, cultural identity, the use of storytelling and the union of opposites.



Please note that this sample paper on Eva Luna and Magic Realism is for your review only. In order to eliminate any of the plagiarism issues, it is highly recommended that you do not use it for you own writing purposes. In case you experience difficulties with writing a well structured and accurately composed paper on Eva Luna and Magic Realism, we are here to assist you. Your cheap custom college paper on Eva Luna and Magic Realism will be written from scratch, so you do not have to worry about its originality.

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