Monday, May 30, 2011

Bum

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james says


just get me angery and i will go mad


//MoNKeYMaGiC// says


james you gay mother fucking nanny screwing whore, you sly disjusting bitchhhhhhhh


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james says


WHAT!!!!!!!!! GO FINGER MATTHEW UP THE ANUS YOU LITTLE PENIUS SUCKING ASIAN COCK BRAIN


//MoNKeYMaGiC// says


fuck you and your lil english prick, why dont you get some more nanny pussy huh?!


james says


GO SUCK YOUR MUMS G-SPOT YOU HOMELESS FUCK GO FUCK SABO UP THE BUM GO GET RAPED AGAIN BY YOUR SIS


//MoNKeYMaGiC// says


oh that does it english boi, i didnt want to get to o this but you asked for it with your g-spot shit


//MoNKeYMaGiC// says


once i heard as i was goin to your house , loud screams of an old women comin out from your house, then it was like oh Jamesssssssssss!!


james says


GET THE SAND OUT OF YOUR OVER SIZED VAGINA STOP DRINKING YOUR OWN CUM YOU GAY BUM FUCKER


//MoNKeYMaGiC// says


hey at least i dont get stalked home by some fat bitch from your school and cant go out at night fearing abbo rapage


james says


FUCK YOU YOUR MUMS SO LOOSE I HAD TO PUT A DWARF ON MY DICK YOU GOT STALKED AND RAPED UP THE BUM BY MATTHEW


//MoNKeYMaGiC// says


dont get matthew on me, your the one who had to go through the trial to be is friend, and after that u were so loose even thanh refused


james says


YOUR BUM IS SO STREACHED FROM THE ABO RAPEAGE THAT YOU CAN NO LONGER WALK


//MoNKeYMaGiC// says


well i didnt have a wet dream ova fucking a so called hot abo, i wouldnt even think of it


james says


GO SUCK YOUR BOYFRIENDS WILLY YOU FAGGOT ILL GET YOU A BLINDFOLD HERES MY SHOELACE


james says


DONT CRY YOU HOMELESS FUCK


//MoNKeYMaGiC// says


uno when i entered your room, i thought i saw cum all ova your walls and sheets so i said i better leave now, and that was the day after you and matt hnaged out ova your place


//MoNKeYMaGiC// says


what you gottasay for yourself now english fag


james says


quiet im busy in a threesom with your mum and sister


james says


your BALLSACK IS TO TIGHT THAT WHEN YOU WANK YOU SCREEM WITH PAIN


//MoNKeYMaGiC// says


speaking of thanh, rememebr that time i saw thanh head ova your place, she was in and out in a minute, you gotta last longer then that poof, beta go back to basics and screw trees


james says


YOU CAN HELP ME SCREW TREES YOUR AN EXPERT BUT YOUR BETTA AT FUCKING DOGS


//MoNKeYMaGiC// says


go back to england where you go more incest relationships to fuck, and screw your favourite hardcore style


james says


LOOK AT YOUR SHIT HOLE COUNTRY VIETNAM HOME OF THE HOMELESS FUCKS ALL YOU CAN EAT IS CAMLE SHIT AND FUCK YOUR PARENTS


//MoNKeYMaGiC// says


oh im so good im willing to let thanh fuck me for about 10000 bucks, and i can sell my body to fat olf bitches for 5cents, hire me, im james


james says


I GOTTA GO I HAVE TO SLEEP TO GET UP EARLY TOMMOROW SO DONT WANK YOUR DICK OFF TOO MUCH MATTHEW WONT WANNA SUCK YOU ANYMORE IF YOUR COCK GOES FROM 1INCH TO NO INCH





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Sunday, May 29, 2011

Environmental policies

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Question 4


Some commentators argue that the major parties (Labour and Liberal-National Coalition) are now indistinguishable, with the only policy variety in Australian politics coming from the minor parties. Assess these claims (there are ) for the period since the election of the first Howard government in 16, focussing on one of the following areas ¡V (iii) Environmental Policy


Environmental policies are ones that occur in almost all of the major and minor party¡¦s policy outlines. This is not only because it is an issue of the present, but also because our actions now will affect the state of the environment in the future. However, although it may be stated in all party¡¦s policies, the specificity varies between both major and minor parties. The statement arguing ¡§that the major parties are now indistinguishable with the only policy variety in Australian politics coming from minor parties¡¨ is a perfect way of describing the current status of Australian party¡¦s environmental policies. In order to prove this, I will be focussing on the specific and current issue of global warming and the emission of greenhouse gasses, as although Australia is particularly vulnerable to global warming, neither Liberal nor Labor will commit to serious greenhouse gas emission abatement because of their antiquated views that this will hurt Australian industry. Therefore, responsibility now lies with smaller parties, mainly the Australian Democrats and The Australian Greens. As shown in the following arguments, it is the works of these parties that distinguish Australian politics.


The current governing party, the Liberal ¡V National Coalition Party, headed by John Howard, is one that is rather vague in its explanation of its beliefs, policies and action plans regarding protection of the environment. Not only this, but their strategies seem to be similar to those of the Labor party. For example, their policy outline simply states that ¡§the Coalition¡¦s energy policy comprises four key principles Energy markets must be efficient and ensure energy costs are competitive, innovation must be encouraged, energy end-use efficiency must be promoted and we must remain responsive to environmental concerns.¡¨ And their environmental ¡¥one-liner¡¦ states ¡§We believe in preserving Australias natural beauty and the environment for future generations¡¨. Indeed, this seems to satisfy the needs of the environment, but does it explain exactly how the Liberal Party intends to contribute to the recuperation of the environment and its inhabitants? Indeed, it seems to be lacking in these areas, thus giving Australian voters little hope that their environment will recover. However, one issue which poses a rather large difference between the Labor and Liberal parties, as well as being a major area of concern is the signing and ratification of the Kyoto Protocol, which ¡§is a pact agreed on by governments at a 17 United Nations conference in Kyoto, Japan, to reduce the amount of greenhouse gases emitted by developed countries by 5. percent of 10 levels during the five-year period 008-01.¡¨ The Howard government seems intent on following the United States, whereby George Bush¡¦s monetary focus has little to do with the environment and more to do with weapons and armament.


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The Labor Party, now ruled by Simon Crean, is a party whose current priorities lie with the sale of Telstra, although since Crean has become the new party leader, their attitudes towards the Kyoto Protocol have taken a genuine turnaround. However, looking at their Environmental policies in general, they are probably not far off from being as non-specific as those of the Liberal Party. For example, they state that their principle objectives identified in the world strategy are ¡§namely maintenance of essential ecological processes and life support systems, preservation of genetic diversity and sustainable utilisation of species and ecosystems.¡¨ Although these may sound very clear, in opposition to some of the smaller parties, these statements are very unspecific. Not only do they not explain how the problems occur in the first place, they do not show any signs of putting in place any forms of solutions, target dates or action plans for these problems. However, in conflict with the Liberal party, the Kyoto Protocol has become a key issue for this party. Earlier this year when Simon Crean was elected Leader of the Opposition, he released a statement that explained exactly how the Labor Party felt about the signing of this protocol and what the advantages would be. Although he did not say exactly how they intended to move towards this sanction, he has expressed more of an interest in its approval than Prime Minister, John Howard or former Leader of the Opposition, Kim Beazley.


Both the Labor and Liberal-National Coalition Parties have acknowledged that there is a need to, what is commonly know to the public, as ¡¥reduce, reuse and recycle¡¦. However, we are not seeing any major changes or actions taking place, apart from the usual advertising slogans and jingles, which are more often than not, organised by the local government. Although both major parties¡¦ policy outlines do mention many aspects of environmental protection, including waste management, reduction in pollution levels and cleaner waterways, neither of them maintains the specificity of some smaller parties policies. However, the issue of the endorsement of the Kyoto Protocol seems to be slightly different between these two major parties. This has been shown recently with reference to Simon Crean¡¦s September 6th Media Statement, where he outlined some of the major benefits of Australia ratifying the protocol. He states, ¡§Australia will be locked out of new global markets if John Howard refuses to ratify the Kyoto Protocol. We risk Australian companies moving offshore to enable them to take advantage of growing markets¡K[In] Australia ¡K well be locked out of any opportunities that we might have been able to have from here ¡K if you are one of the Kyoto countries ¡K why would you deal with a country which hasnt ratified?¡¨ The Liberal Party seems to support the idea of encouraging other countries to decrease emissions, but still continues to follow the United States, where George Bush shows very little interest in the release of Greenhouse gasses. Before the latest elections, The Liberal Party stated, ¡§The danger is that the election of a Beazley Government that has vowed to ratify the Kyoto protocol to the UN climate change convention would deter new investment in brown coal, despite the enormous resources available for development. It is clear that Mr. Beazley and the Labor Party did not give such considerations a moment¡¦s thought when they decided that there were votes in announcing they would ratify the Kyoto protocol.¡¨ However, they presented their case and despite the fact that the John Howard will not sign the Kyoto Protocol, he seemed to think that his approach was much more fulfilling, in that, ¡§[They] will encourage developing countries, which are major emitters, to accept binding targets, work with the USA - the world¡¦s largest emitter of greenhouse gases - to encourage acceptance of appropriate; and continue to develop and invest funding in domestic programs to meet the target Australia agreed to at Kyoto, whether or not the Kyoto Protocol comes into force.¡¨ Thus establishing on of the only differences between the major parties in regards to environmental policies.


A ¡¥minor¡¦ party in politics often refers to ¡§A political party which gains only limited electoral support or minor representation in the Parliament¡¨ The most obvious minor party, which causes a distinction in Australian Government regarding environmental issues, is that of The Australian Greens. As they are a smaller, more radical and specified party, they have the leeway to devote more of their time and efforts to individual issues, rather than making a ¡¥token policy¡¦ to show that they support environmental preservation. When the Greens set out their policies, they divided them into specific sub categories, including our environment, coastal management, water, energy, nuclear issues, waste, sustainable agriculture, genetic engineering, animal welfare, greening of industry and population management. Within these sub categories, the Greens have specified their principles, goals and short-term targets in order to identify exactly how they will deal with each environmental issue. For example, in regards to our water ways, the Greens state that one of their principle policies for water is ¡§based in adopting an integrated catchment approach to the management of both surface and ground water¡K. specifically including frameworks for the management of cumulative effects of incremental water infrastructure developments ¡K specifically incorporat(ing) biodiversity issues in ICM plans and strategies.¡¨ The goals relating to this include the Greens aiming to ¡§encourage all state governments to complete comprehensive state inventories of freshwater ecosystems and on this basis, develop comprehensive, adequate and representative freshwater ecosystem reserves,¡§ which specifically deals with the management of the surface and ground water, therefore complying with the short term target relating to this, being, ¡§extend national programmes to restore environmental flows to all river, wetland and groundwater-dependent systems and improve water quality.¡¨ The specificity of the Greens¡¦ policies is one feature that separates the minor parties form the major parties. They have the ability to be this specific regarding one certain topic (in this instance, the Environment) because they don¡¦t take full responsibility for other issues, such as immigration, education and social welfare policies as governing major parties do. It is a well-known fact that minor parties have the opportunity to become more radical than major parties, as they have less responsibility in nation wide decision-making. In regards to the Kyoto Protocol, this is one issue, which is at the top of the Agenda for the Australian Greens. A breakdown of the necessity to ratify the Kyoto Protocol and the Greens actions in order to ensure this, are stated in the ¡¥International Issues¡¦ section of their policy breakdown. It is stated that the Greens aim to ¡¥work for effective measures to reduce greenhouse gas emissions and use of ozone-depleting substances, and call for the Australian Government to sign and work for strengthening the Kyoto protocol¡¨ as much like the Howard Government, they support world encouragement, but the Greens are intending to assist the rest of the world, as they ¡§support the conservation of the Earth¡¦s environment and its biodiversity, both as a value in itself and as essential for human survival and happiness. [They] are working for sustainability based upon equitable access to nature and environmental goods among all the world¡¦s peoples.¡¨ This shows the Greens enthusiasm in involving the whole world in the fight for a safer environment, instead of taking the Howard approach and sitting back and leaving it in the control of others.


The Australian Democrats are another minor party who support the Greens hugely in the fight for cleaner air and a safer environment. Much like the Greens, the Democrats also have very specific Environmental policies. For example, they believe that ¡§the immediate and unconditional ratification of the Kyoto Protocol is an important first step towards the stabilisation of the atmospheric concentration of greenhouse gas emissions.¡¨ Not only do they believe this, but the Democrats note the targets for these issues, such as ¡§immediately ratifying the Kyoto Protocol and planning for emissions to be cut by 0% by 00¡¨ and also plan to introduce ¡§legislation outlining a timetable of emissions reductions targets starting with the Kyoto commitment.¡¨ They also encourage the push for Liberal and Labor commitment to the Kyoto Protocol in order to achieve these goals. The Democrats have also planned to reduce greenhouse emissions in many areas, such as the electricity and transport sectors, as well as expanding the renewable energy sector, creating a sustainable economy and increasing energy efficiency. This precise outline is not shown in neither Labor nor Liberal policy outlines, in fact it shows that for a party who has other issues that must be dealt with, they still feel that the environment should not be taking a back seat to other issues such as education and social welfare.


Finally, how are the major and minor parties separated? The two major parties, Labor and Liberal-National Coalition are both similar in that they are very unspecific in their goals for the environment and its future and their policies seem to be one liners such as ¡¥cleaner air¡¦ or ¡¥less greenhouse gas emissions.¡¦ They have no set goals or separate policies for each sector of the environment; they simply state what needs to be done about the environment, with no action plan or some form of commitment. The smaller parties on the other hand, have much more specific ideals as to how to manage the arising issues in the environment. Both the Australian Greens and the Democrats break down their platform, commitments and targets according to specific environmental issues, such as coastal management, water, energy, nuclear issues and so on. The only factor that separates the two major parties is their opinion on the Kyoto Protocol. The Liberal party seems to be following the trend of the United States, whereas now that there has been a change of leader in the Labor party, they seem to be more inclined to endorse the protocol and its notions and regain our unity with the rest of the world, thus agreeing with the methods of preservation and reduction of greenhouse emissions that the Greens and the Democrats have proposed. Therefore, it would be fair to say that in regards to general environmental policies, the Labor and Liberal-National Coalition parties are indeed indistinguishable, except for their points of view regarding the ratification of the Kyoto Protocol. Whereas the present minor parties such as the Australian greens and the democrats have the only policy variety in Australian parliament due to specificity of guidelines and courses of action.


Bibliography


1. Author Unknown Parliament of Australia Website ¡V Glossary http//www.aph.gov.au/find/ glossary.htm# (Last updated 7th September, 0, Accessed, th September, 0)


. Author unknown, http//www.liberal.org.au/policy/environment.pdf (Last updated June, 00, accessed 17 August, 00)


. Author unknown, www.greens.org.au (Last updated, June 00, accessed 16 August, 00)


4. Bibb, A. (00) Young Nationals Website - Policies http//www.youngnationals.org.au/page.html (Last updated 8th August, 00, accessed 6th September, 00)


5. Boehmer-Christiansen, S. (000) ¡¥Energy & the Environment¡¦ Volume 11, Issue , Pages 4-54


6. Crean, S. (00) The Australian Labor Party ¡V Environmental Policies http//www.nswalp.com/alp/alpWeb_Content.nsf/policy?openagent&id=10-Environment (Last updated July, 00, accessed 17 August 00)


7. Crean, S. Australian Labor Party ¡V 10 Environment, Principles and Goals http//www.nswalp.com/alp/alpWeb_Content.nsf/policy?openagent&id+10-Environment (Last updated 7th September, 0, Accessed, th September, 0)


8. Crosby, L. Liberal Party Website ¡V Liberal Policies http//www.liberal.org.au/media/ campaign/minchin/minchinpraustralian%0resourcesoct18.htm (Last updated 7th September, 0, Accessed, th September, 0)


. Dee, J. - Planet Ark Website ¡V Factbox What is the Kyoto Protocol? http//www.planetark. org/dailynewsstory.cfm/newsid/15186/story.htm (Last updated 7th September, 0, Accessed, th September, 0)


10. Epaminondas, G. (0/06/00) The Age ¡§Eco a Go-Go¡¨ The Sun Herald


11. Evans, J. (00) The Australian Democrats ¡V Change Politics Policies of the Australian Democrats http//www.democrats.org.au/policies/# (Last updated 5th September, 00, accessed 6th September, 00)


1. Kellow, A. (1) ¡¥Greenhouse & the Environment¡¦ Volume 10, Issue , Pages 75-1


1. Liberal Party Website ¡V Liberal Booklet http//www.liberal.org.au/policy/ Liberalbooklet.pdf (Last updated 7th September, 0, Accessed, th September, 0)


14. Papadakis, E. (17) ¡§Politics and the Environment The Australian Experience¡¨ Sydney, Allen & Unwin


15. Sekhon, G. - The Australian Greens Online ¡V International Issues . Short Term Targets (d) http//www.greens.org.au/ (Last updated 7th September, 0, Accessed, th September, 0)


16. Sekhon, G. The Australian Democrats ¡V Greenhouse and Energy Principles Platforms and Commitments http//www.democrats.org.au/policies/# (Last updated 7th September, 0, Accessed, th September, 0)


17. Sekhon, G. The Australian Greens Online - International Environment Sustainability Principles .1 http//www.greens.org.au (Last updated 7th September, 0, Accessed, th September, 0)


18. Sekhon, G. The Australian Greens Online Care for the Earth .1 Principles http//www.greens.org.au/ g1careforearthfull.htm (Last updated 7th September, 0, Accessed, th September, 0)


1. Sekhon, G. The Australian Greens Online Care for the Earth . Goals http//www.greens.org.au/ g1careforearthfull.htm (Last updated 7th September, 0, Accessed, th September, 0)


0. Sekhon, G. The Australian greens Online Care for the Earth . Short Term Targets http//www.greens.org.au/ g1careforearthfull.htm (Last updated 7th September, 0, Accessed, th September, 0)


1. Simon Crean ¡V Leader of the Opposition, Media Statement, 6th September, 00 ¡§Australian Business Recognises Benefits Of Kyoto Protocol ¡V Why Won¡¦t John Howard?¡¨


. Singleton, G. (Editor) (000) The Howard Government Chapter 10, ¡§The Howard Government and Federalism ¡V The End of an Era?¡¨


Please note that this sample paper on Environmental policies is for your review only. In order to eliminate any of the plagiarism issues, it is highly recommended that you do not use it for you own writing purposes. In case you experience difficulties with writing a well structured and accurately composed paper on Environmental policies, we are here to assist you. Your persuasive essay on Environmental policies will be written from scratch, so you do not have to worry about its originality.

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Saturday, May 28, 2011

Judith Wright

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Born in 115 on her father’s station in Wallamumbi, New South Wales, Judith Wright grew up to be both a well-known Australian poet and an environmental activist, a passion that inspired many of her works. Her recurring themes include the resilience of the human spirit; the constant struggle of people living in adversity and misfortune; the land on and around where she lives; and the plight of the Australian Aborigines and environment (LearningCert.net).


‘How deeply the active and contemplative may combine in a poet … she grew up with a passionate love and involvement in the life of the country and all its creatures, which is at the root both of her poetry and her political involvement.’ (Hope).


One particular poem to be written with the environmental theme was “Night After Bushfire”.


Through the use of extensive imagery, the poem evokes a very clear picture of a bushland or forest devastated by fire. The bleak and black environment is easily imagined through phrases such as ‘Charred death upon the rock leans his charred bone’ and ‘this landscape of charcoal and moonlight’. There is also suggestion, however, that “Night After Bushfire” is not only about the aftermath of a bushfire, but the possible effects of a nuclear attack, something Wright was also concerned with.


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There are several themes in this poem, and two of them are suggested by the title, “Night After Bushfire”. Wright uses darkness to great effect, both through the natural darkness of night and the black darkness of ash and the charred remains of the forest. Although the sun is mentioned in stanza one, and moonlight in stanza three, light is used to contrast against the more prominent theme of darkness. Death is another major theme, used as a result of the fire sweeping through, ‘Charred death upon the rock leans his charred bone and stare at death from sockets black with flame.’. Death and blackness are often themes that go hand in hand. There is one more theme that is suggested in the poem, and that is silence and stillness. This is related to the theme of death, but is also, in its own way, a separate one. The opening line of the poem, ‘There is no more silence on the plains of the moon’, is a phrase which suggests the utter silence of the place in a way that the reader immediately knows, even without the title, that something has happened to the place where the poem is set.


The silence also creates a feeling in the reader, a feeling of horror and, in some cases, perhaps fear. Silence can be very frightening if the silence is threatening, but the overall sense in the poem is not one of fear, but of dismay at the death and destruction that has occurred. This is a deliberate thing that Wright has done, stemming from her commitment to environmental issues (Wright was a member of the Wildlife Preservation Society during the 160s [McIlroy]). The loss of life for both wildlife and vegetation due to bushfire is something that occurs often, sometimes through thoughtless vandalism, sometimes through nature itself, and Wright highlighted this continually as an area needing to be addressed.


Part of the way that the images are presented to the reader is through personification. Wright personifies two things in “Night After Bushfire”, the sun in stanza one, and death in stanza two. By having the sun as a moving, living thing ‘Sun thrust his warm hand down at the high noon’, the contrast is again provided between the light and the dark. There is also a contrast between life and death, because the sun is shining after the fire, and is showing off the destruction left behind by the flames. It also, in its own way, shows that despite the destruction, the land will rise again to be living and green.


Death is personified in stanza two, in order to have the imagery come to life in the mind of the reader. ‘Charred death upon the rock leans his charred bone and stares at death from sockets black with flame.’ Wright uses imagery to great effect, and this personification is a technique used as part of it.


‘What Australian readers found that was new within these familiar formal structures was the mundane - our familiar landscapes and lives - made numinous through metaphors which allowed us to believe in the mind and nature as one, not just in Wordsworth’s lake district but on our own doorstep.’ (Strauss, 10).


Having death personified brings a dark reality to what otherwise might have been just an illusion in the reader’s mind, and it is a reality that is common of the Australian bush.


As mentioned previously, Wright uses silence to create a feeling in the reader. The silence itself does not create fear or horror, but when combined with the elaborate imagery about death and the use of the word ‘threatened’ in stanza three, line one, there is certainly an emotional effect. Some would see this as creating fear, others simply horror.


‘…he who wears the string chains of day will lose it in this landscape of charcoal and moonlight.’ These lines, in stanza three, refer to the loss of soul that the fire can bring about. Stanza three itself is like a warning to the reader, to hasten their departure from the scene or risk death.


‘Carry like a threatened thing your soul away,


And do not look too long to left or right,


For he whose soul wears the strict chains of day


Will lose it in this landscape of charcoal and moonlight.’


This stanza finishes off the theme of death started in stanza two, because in stanza two death is real, it is there in the bush taking life, but in stanza three Wright warns the reader against it, thus removing the realness of death - which is not personified in stanza three.


Wright uses a simple rhyme scheme in “Night After Bushfire”, an ABAB pattern in each stanza, such as stanza one, where the lines end with ‘moon, here, noon and fear’ respectively. There are no half-rhymes, and the poem uses a tetrameter system, with four stressed syllable and four unstressed syllables per line.


“Night After Bushfire” has elements of religion tracing through the lines. Not only is there the theme of death, but also the two references to soul. In stanza two, Wright mentions leaving behind ‘his human home and name’. This refers to death, but also to going somewhere other than earth - such as to heaven. Also, stanza three talks about soul - ‘Carry like a threatened thing your soul away’ and ‘he whose soul wears the strict chains of day’. This shows that Wright was a spiritual person, whether or not she completely believed in an institutionalised religion such as Catholicism. The first line quoted again talks about the soul leaving the body after death, the second refers to a type of person who might be at risk of dying in such a disaster.


Darkness and death are often used as themes in religion. God is viewed as light and almighty, while hell is dark and sombre, as well as frightening. These themes are evident in the poem, thus adding to the suggestion that “Night After Bushfire” could be considered somewhat religious.


There is an appearance through the poem that Wright dislikes very materialistic people. In stanza two where she writes ‘Man, if he come to brave that glance alone, must leave behind his human home and name.’ and in stanza three where she mentions the ‘strict chains of day’, it seems as if she is saying that if you stay with your possessions instead of seeking safety, you are at risk of perishing with your property and losing your soul.


‘Wright’s activism in the public world, initially in conservation matters and then increasingly in Aboriginal affairs, may be unusual in a poet, but it fits perfectly with her commitment to psychic integration.’ (Strauss, 15)


Throughout the eighty-five years of her life, Judith Wright showed through her works a very passionate love affair with the world in which she lived - rural New South Wales and Queensland. Although spending time in Sydney, during her school years and after World War Two, she returned to her former home, the bush.


Her poetry advocated environmental conservation, something close to her heart, as well as using themes of reconciliation and spirituality. She was a modern poet who used a classic theme, but in a new framework and by allowing us to ‘believe in the mind and nature as one, not just in Wordsworth’s lake district but on our own doorstep.’ (Strauss, 10). “Night After Bushfire” highlights two of the concerns she held for the land, that of devastation through fire and also of nuclear bombs and their effect.


REFERENCES CITED


LeavingCert.net. “Judith Wright.” Online 18 March 00. http//www.leavingcert.net/serve/cont.php?pg=EN5WRT4554


McIlroy, Jim. “Judith Wright 115-000”. Online 18 March 00. http//www.greenleft.org.au/back/000/411/411p14b.htm


Strauss, Jennifer. “Stop Laughing! I’m Being Serious Studies in Seriousness and Wit in Contemporary Australian Poetry.” Queensland, Foundation for Australian Literary Studies, 10.


Strauss, Jennifer. “Judith Wright.” Australia, Oxford University Press, 15.


Tranter, John and Mead, Phillip (ed). “The Penguin Book of Modern Australian Poetry.” Victoria, Penguin Book Australia Ltd, 11.


REFERENCES CONSULTED


Brady, Veronica. “Judith Wright’s Biography A Delicate Balance Between Trespass and Honour.” Online at National Library of Australia, 18 March 00. www.nla.gov.au/events/doclife/brady.html


Department of Education, Employment and training. “Poetry and Disasters.” Online 18 March 00. www.ema.gov.au/managementcomminfo/schools/pdfs/Final%0SLP.pdf


Hall, Gerald. “Judith Wright.” Online at Australian Catholic University, 18 March 00. www.acu.edu.au/theology/Judith.htm


Kiernan, Bryan (ed). “Considerations. New Essays on Kenneth Slessor, Judith Wright and Douglas Stewart.” Australia, Angus and Robertson Publishers, 177.


Roberts, Philip Davies. “How Poetry Works”. England, Penguin Books Ltd, 186.


Please note that this sample paper on Judith Wright is for your review only. In order to eliminate any of the plagiarism issues, it is highly recommended that you do not use it for you own writing purposes. In case you experience difficulties with writing a well structured and accurately composed paper on Judith Wright, we are here to assist you. Your persuasive essay on Judith Wright will be written from scratch, so you do not have to worry about its originality.

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Friday, May 27, 2011

Great Gatsby Video Analysis

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The Great Gatsby Analysis of Video


The Great Gatsby, by F. Scott Fitzgerald is a story of revenge and deceit. The novel takes place during the early 10’s, a time in America where everyone was succeeding in their own ways. The novel depicts many events that can be viewed in many different ways by people. In the movie, the director chooses his own perspective and views of how The Great Gatsby happened in his mind. The book and movie both tell the same story, but each in a different way.


In the book, the most significant event that happened was at the very end where Gatsby was shot and killed by Wilson, who then shot himself in the head with the same weapon. This was the climax and Fitzgerald wrote this very well to describe what occurred. However, in the movie, some events that seemed minor became much more serious because of the gruesome nature that the movie showed. Two examples are when Gatsby was shot and Wilson committed suicide and when Myrtle was hit by a car. When Myrtle was hit by a car in the book, it seemed like it was a car moving slowly because cars in the Twenties did not go as fast as they do today. The movie depicted it as a speeding car swerving out of the way of another car and Myrtle was at the wrong place at the wrong time.


In the book, the events happened in chronological order. In the beginning of the book, the characters were introduced in the order that Nick met them. Then the events were written in chronological order. This made it much easier to understand what was happening. In the movie, the director decided to reveal the ending at the very beginning! This seemed quite strange. It was not wise on the director’s part because if the ending is already known at the beginning, then what is the point of watching the rest of the movie?


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The events in the movie were very close to the ones in the book. One of the events that was altered was that in Chapter 5 of the book, Nick explains exactly what Gatsby was really about; his name was James Gatz and not Jay Gatsby. Nick began to think that Gatsby was somewhat of a fraud. In the movie, Nick, who is the narrator, omitted many of the things that the book said. He only mentioned the important facts such as his real name and the fact that he went to Oxford. This did not seriously alter the plot because if these facts were not included in the book, it would have made the reader think the same things. What seemed to be more significant was that the actors used exact quotes directly from the book.


The Great Gatsby took place over a couple of years. The book clearly established this because at certain points in the book, the year was mentioned. It started in 1 and ended in 15. The time change could really be felt when reading the book. The movie made the chronology seem much closer together. The movie was trying to hit on the basic facts of the book. A roundabout way of explaining the book could be, Nick lives in West Egg. Gatsby is his next-door neighbor. Gatsby lives in a huge mansion. Nick meets Gatsby at one of Gatsby’s parties. Nick mentions Daisy and Gatsby wants to meet her again. They meet. Then they go for a ride in Gatsby’s car. Daisy is driving when she hits Myrtle with the car and she dies. Her husband Wilson thinks it was Gatsby and shoots him and then himself. The End. This is basically what the movie was trying to establish.


The book was written before the movie and the director of the movie made the movie in the way he thought the book was trying to explain. The movie is an opinion of the director and how he comprehended the book. The book and the movie are very different but they tell the same story.








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Monday, May 23, 2011

The Calming Beach

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Viewing a three-panel painting of a local beach on the Gulf of Mexico, with sand dunes on both sides and a narrow path leading to a clearing to the water, I realize how at peace I am from just picturing myself walking on the beach. When hearing the waves splash upon the shore, the birds diving for their meal or the little sand crabs scurrying to return back into their sand tunnel, the beach calms me no matter how bad the day to day grind of everyday life can become. The realism of this painting stirs something inside me that brings me back to what seems like a former life.


When I look into this painting, I remember a time not so long ago when I was so depressed and agitated with what had transpired throughout the day, that I needed a walk on the beach. When I was in the military, my unit commander had earlier in the day just given me a verbal reprimand. I was a squadron mobility Noncommissioned Officer in charge of processing cargo for deployments. We had been late in delivery of our palletized equipment to the marshalling yard for movement onto an aircraft. When shipping any hazardous material overseas, you must ensure that you have proper documentation accompanying any equipment. And we were shipping multi-meter, which uses lithium batteries. Special paperwork completed and signed by an authorized agent.


Once the paperwork was properly filled out, the equipment could be approved for shipment. My unit commander became aware of our tardiness and proceeded to give me a well-deserved verbal admonishment.


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At the time the reprimand upset me, but I should have known the requirement prior to packaging the equipment for transport. After my shift was finished, I was still torn apart and realized I need a way to calm down. I drove home and told my wife I was going for a walk on the beach. As I strolled along the beach, I watched the dolphins off in the distance. The sun was beginning to set and the light glimmered just ever so over the waves. High tide was coming in and I had to walk far up on the shoreline to keep from getting my pants completely wet. The sand was just messaging my toes, as the waves washed my feet off gently every time. I must have walked more than one mile just trying to clear my mind. I was thinking what could be more peaceful than this? All my days’ troubles were forgotten and I was lost in the sea and the fresh sea breeze blowing in from the south. Well since that happened, I have come to realize that the one sure thing that puts me at ease…. is a walk on the beach. And when looking into any painting like this one, something inside of me awakens. And remember just how beautiful an area we live in and how so many people take this place for granted. The Realism associated with this painting makes one think of a more peaceful time and an appreciation for nature. Whenever I have a bad day at work, I know what is needed to do to calm my nerves I have to take a slow and easy walk on the beach. There is something about hearing the waves and seeing the sea birds flying low over the waves trying to catch a meal, that calms me within a short time.


Three panel painting of sea with beach dunes oil on canvas by Lucy Foote


Found at Art Design Society of Fort Walton Beach (ADSO)








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Sunday, May 22, 2011

One Flew Over the Cockoo's Nest

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Mental and physical strengths. What are these you ask; these are every human being. They are the foundation of every person. Without those strengths we would be nothing, worthless, not worth anyone’s time. The men in the book, One Flew Over the Cuckoo’s Nest, by Ken Kessy, thought that they were worthless, good for nothing people, but had a single man show them otherwise. This man turned their lives around, some for the good, and some for the worst. This man was Randle Patrick McMurphy.


Before McMurphy came along the men at the institute were worthless helpless people. Ms. Ratched, know as the Big Nurse, made sure that the men never became anything more than nothing to prove her ruling abilities. After the arrival of McMurphy it became harder for the big nurse to keep control over her patients. “I’m saying five bucks to each of you that wants it if I can’t put a betsy bug up that nurse’s butt within a week.”(p.7) This was the start of McMurphy’s plan to show the big nurse that she didn’t have complete control over him or the other men. He was going to show them that she “ain’t so unbeatable as you think.”(p.7)


McMurphy began to be the mens mental strength after he had seen what the big nurse had done to them. McMurphy had the men vote during one of their meetings to watch the World Series. He even had the majority vote, but the big nurse still wouldn’t allow it. He rebelled against her by not doing his chores and staring at the blank tv. The other men quickly caught on and joined him on and around the couch. “I said, Mr. McMurphy, that you are supposed to be working during these hours,”(p18) McMurphy’s plan was working. He had showed the men that the nurse didn’t have complete control. “You men - Stop this. Stop!”(p18) The nurse tried to keep control but she knew deep down that she was beginning to lose it.


Chief Bromden was the only person that McMurphy saw potential in. From the size physically of the chief, he knew that the chief’s physical strength could be regained and used against the big nurse. McMurphy helped the chief get his strength back by constantly complimenting on how the chief was getting bigger. McMurphy was playing a mind game on the chief so that he could be mentally strong enough to be physically strong again. During the first week of McMurphy’s stay at the institute he had bet that he could life a control panel off the floor, and if he ever wanted to leave, all he would have to do is throw it out the window. The chief had remembered this after the death of McMurphy, and had decided to leave this place for good. “I heaved again and heard the wires and connections tearing out of the floor”(p10), “I put my back toward the screen, then spun and let the momentum carry the panel through the screen and window with a ripping crash”(p10). The chief had made his escape the way McMurphy had told him and the others how. He had beat the big nurse.


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Because of McMurphy most of the men found strengths that were long lost and left the big nurse and her institute. The chief didn’t find just his mental strength but also his physical strength. He used his strengths to leave the institute by force because he was one of the few that were actually committed. McMurphy, giving his life for the men, had freed them of their worries and showed them that they could be normal again out with others in society. The chief and the others will never forget what McMurphy had done for them.


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Tuesday, May 17, 2011

The Odyssey

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The Women of The Odyssey


In Homers The Odyssey, the hero Odysseus has several different relationships with female figures who aid, blackmail, love, kidnap, seduce, or tempt him. Odysseus basically either loves these women, or he has mixed emotions about them. Among his loves are Penelope and Athena. He likes the Princess Nausikaa, but has mixed love/hate emotions for the goddesses Kalypso, Kirke, and the Sirens.


Even though it has been about twenty years since Odysseus has seen his wife, Penelope, he still loves her very much. He is thinking of her constantly while a prisoner on Kalypsos island as he sat on the rocky shore and broke his own heart groaning and crying for the wife he left at home. (page 85, lines 164-165) Likewise, Penelope loves and misses Odysseus every day and night. She is the faithful wife, waiting at home, mourning his absence, and feeling very lonely.


Book I A Goddess Intervenes


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Homer (the author of The Odyssey) begins the story by asking the Muse to help him tell it well. He describes a man who is very strong and brave, but who is away from his home too long. Homer tells us that this man is held captive by the sea witch Kalypso. Homer tells us that even when this man (Odysseus) returns home, he will still have troubles. Poseidon is the one god who has made Odysseus journey home very difficult.


While Poseidon is off observing a sacrificial ceremony in his honor, Zeus, Athena, and the other gods of Olympos, discuss the situation. Zeus says that he thinks mortals should listen to the advice of the gods more carefully. He uses as an example the advice Hermes gave to Aigisthos. Aigisthos had an affair with the queen of Agamemnon while Agamemnon was away fighting the Trojan War. When Agamemnon returned and found his wife with Aigisthos, Aigisthos killed Agamemnon. Then, Agamemnons son (named Orestes) killed Aigisthos. Hermes had warned Aigisthos that he should leave the queen alone and not kill anyone, but he did not listen, and now he is dead. Athena replies to Zeus that the story of Agamemnon is interesting, but she is interested more in the story of another mortal, Odysseus. She asks Zeus permission to go to Earth and help Odysseus get back to his home. Zeus agrees, and Athena flies down, over the sea to Odysseus home, Ithaka. When she arrives, she finds Odysseus son, Telemakhos, daydreaming while the suitors take advantage of his home. She disguises herself as an older gentleman named Mentes and goes to speak with Telemakhos. She finds out that the suitors are there in hopes that Telemakhos mother, Penelope, will marry one of them. Penelope, however, has no intentions of marrying. She still loves her missing husband, Odysseus, very much. Athena, disguised as Mentes, gives Telemakhos some advice. She tells him to hold a meeting of all the people of Ithaka in the morning. She tells him to get a ship and go look for information about his father, Odysseus.


After Athena leaves, Telemakhos feels that he has been visited by a god. A minstrel begins to sing a song about warriors returning home after a war, and Penelope hears the song. She is reminded of Odysseus, becomes very sad, and comes downstairs to ask the minstrel to stop singing. Telemakhos tells her that she needs to try to be brave. She goes upstairs, and the suitors begin talking about her. Telemakhos is angered and tells them to stop shouting and to get out of his house. Antinoos, one of the suitors, mocks Telemakhos. Another suitor asks Telemakhos who his guest was, and Telemakhos tells them about Mentes. The suitors party until nightfall, then go home to bed. Likewise, Telemakhos goes up to bed. His nurse, Eurykleia, still tucks him in. Telemakhos does not sleep well because he is thinking about the meeting and his journey planned for the next day.


Book II A Heros Son Awakens


Telemakhos wakes at sunrise, gets dressed, tells the criers to announce his meeting, and goes to the meeting place. Many people are gathered, and an old man who has four sons begins the meeting. He says that whoever called the meeting is very brave and must have something important to discuss. Telemakhos gets up to speak, feeling very strong and proud. He asks the people of Ithaka to support him in telling the suitors to leave his home. As he speaks, he gets angry. He throws down a staff with angry tears in his eyes. Everyone is quiet except for Antinoos, who mocks Telemakhos once again. He says that it is not the fault of the suitors that they are staying in Odysseus home, but that it is Penelopes fault. Antinoos says that she is leading them on, being a flirt, and tricking them. Penelope did, in fact, trick the suitors, but only because she wanted some peace from them. She was weaving a burial shroud for her father-in-law, Laertes, since he was getting very old and sick. She told the suitors that she would choose one of them as a husband when she was done weaving the shroud. So, at night, she would un-weave what she had woven during the day. The suitors took this as playing hard to get when really she just didnt know what else to do.


Antinoos gives Telemakhos two choices. He says, Either kick your mother out of the house or force her to marry one of us. Telemakhos says that he cannot do either. Both are wrong and evil, but he adds that he wished Zeus would punish the suitors for what they are doing to his family. At that moment, Zeus hears Telemakhos and sends two eagles flying down into the crowd. They attack and tear the skin of people at the meeting. An old man says that it is a sign that Odysseus is returning soon. One of the suitors says that the old man doesnt know what he is talking about, Odysseus is dead, and Telemakhos should arrange a wedding for his mother. Telemakhos says that he is tired of arguing, and he is going to go look for news of his father. A good friend of Odysseus, Mentor, then stands up to speak. He reminds the suitors that Odysseus was a very good king to them and that they are being very disrespectful in their actions. Mentor says that it sickens him to see the whole community sitting by and watching this evil bunch of men. Another man says that even if Odysseus did return, he could not fight all the suitors alone. Then, the meeting breaks up and everyone goes home. Telemakhos goes to the beach and prays out to the sea, asking Athena for advice. Athena appears to him, disguised as Mentor. She tells Telemakhos that he doesnt need to worry. He is a good young man with good parents and good intentions. She tells him that she will find a ship and crew for him. Athena, disguised as Mentor, also tells Telemakhos that the suitors will get what they deserve in the end. She tells him to go home and prepare for his journey.


Telemakhos goes home, and Antinoos is there with the other suitors, having a feast. Antinoos mockingly invites Telemakhos to join them, but Telemakhos refuses. As he walks through the house, the suitors shout at him, but he goes to get supplies ready. He tells his nurse, Eurykleia, that he is going to Pylos, but he warns her not to tell Penelope. He does not want his mother to worry any more than she already does. Meanwhile, Athena disguises herself as Telemakhos and gets a ship and crew ready to sail. A man named Noemon lends her a ship. She then goes to Odysseus house and puts a spell on the suitors so that they are too tired to stay and go home. Then, disguised again as Mentor, Athena goes to Telemakhos and tells him all is ready. He and Athena/Mentor board the ship, and they all sail off to Pylos.


Book III The Lord of the Western Approaches


The ship arrives at Pylos at dawn, just as the people of Pylos are sacrificing bulls to Poseidon in hopes of stopping the earthquakes they have been experiencing. Telemakhos is nervous about asking the king of Pylos, Nestor, about Odysseus, but Athena/Mentor tells him not to worry. The king and his sons welcome Telemakhos and his friend. The prince Peisistratos asks Athena/Mentor to help them pray, and she does. Telemakhos then introduces himself and tells Nestor why he is there. Nestor says that he remembers the war well. He lost a son in the war and many others died, but he misses Odysseus also. He says that Odysseus was very skilled at the strategies of war. Nestor tells Telemakhos about the last time he saw Odysseus. He says that at the end of the war, the commanders were arguing and the troops got split up. He sailed home right away, but Odysseus did not. Nestor then asks about the suitors he has heard rumors about and tells Telemakhos that he can avenge his father just as Orestes avenged his father, Agamemnon. Telemakhos is curious about what happened to Agamemnon and Nestor tells him the whole story. He then tells Telemakhos to go to Lakedaimon to talk to King Menelaos. Athena stops him and says it is getting late, they should eat and get to bed. They eat and Nestor invites the visitors to stay the night, but Athena says she must go back to the ship. She is the oldest and has to keep the spirits of the crew up. When she leaves, she disappears, and they all realize that Mentor was a god in disguise.


In the morning, they pray and sacrifice a cow. Nestor and his family are very helpful in preparing Telemakhos for





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life

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its tough gaining acceptance from people. especially when the people are narrow minded and forever be instagating others. i knew a girl before who i once called my friend. she was nothing but a cold, deceiving, selfish, self-centered, little tramp. all she cared was for and about her own self. she was cute on the outside but on the inside, she was completely rotten. all her life shes been trying to gain acceptance from others by telling lies. lies about her family, her background, and herself. she was fake. her personality to gain acceptance was an angel. however; once she gained their acceptance, she changed one hundred and eighty degrees and became the devil. she gave her body to any guys who came along. is hated on whoever she pleased, and did everything to get her own way. what this gril needed was a lesson. she needed to get herself in check. a good beat down. she cant live her life like that in the real world. she told me several times that she wanted to kill herself. i shouldve let her go on with it. why did i stop her. shes made everyones life around her a living hell. what is she trying to prove by living such a fake and deceiving life? i actually considered dating her once. i think i was out of my mind. i dont know what she wouldve done to me. as if she hasnt done enough. people like this bitch need to either grow up or jump off a building. when we were friends, i think i did everything for her. i bought her everything she wanted, was there for her everytime she needed someone, put up with all her shit, and always forgave her. hell no though. not this time. she needs to learn. learn how to take the blame, learn how to apologize, learn how to treat people with a little more respect than shit, learn how to forgive and forget, learn what it feels like to be treated by someone exactly like her. http//www.free-essays-free-essays.com/dbase/4c/hal1.shtml


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Saturday, May 14, 2011

thoreau mix

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Transcendentalism is used frequently as main topics in the stories “Nature” and Walden. These two themes are heavily concentrated on though these two stories are similar on the aspects of themes, though they differ on the thoughts of civilization and governments. These two stories also differ in the realms of creativity in the story. Walden was a story written by Thoreau, which is fairly similar to the contrasting book “Nature”. Emerson who uses his thoughts on transcendentalism to play a key role in the story writes “Nature”. Emerson uses the themes of Nature and God to represent and reflect nature as transcendentalism. Thoreau stresses the relationship with God and Nature at the same time. The two themes are used at once to direct the story in the path that the Thoreau wants it to lead. This is easily shown in the statement, “ In the woods we return to reason and faith.” Both themes are quite similar though it is said that Emerson is more creative and imaginative in his way of depicting the short story as it progresses. The six characteristics of Transcendentalism stand out in each one of these stories. Both of these stories concentrate on writing about nature more than anything else. Emerson thought that God was a personal matter and that the relationship between man and god can only be embraced and made through man himself. The similarities are so stressed in these articles it is difficult to see them as contrasting on the elements of themes. Though the story written by Emerson seems to be more detailed, Thoreau talks more of living closely with nature and becoming one with the elements around us and, the utopia that can be created. Both authors use the six characteristics wisely and their details help the reader identify with what is happening in the story and to realize that both authors are Transcendentalists. Amazingly enough the two authors depicted above are known as the two best Transcendentalists in our history. They use all six of the characteristics with expertise and great skill, their awesome skills paint a vivid picture for the reader of their stories. The show us what we can learn from nature and all that it has to show us about our future, and they do it in such a way that it inspires us to act. Thus, Emerson and Thoreau are the two greatest transcendentalists authors in our history. Henry Thoreau and Ralph Emerson were two of the romantic American writers of the transcendentalist movement, which in essence stresses that less is more, that nature is to be studied, to be a true intellect you must read the classics and that living a life off the beaten path is more satisfying than one on the beaten path. Though Emerson began his writings first, Thoreau and Emerson are both credited with this movement. Emerson was clearly the founder of this initial movement, but Thoreau’s writings were also critically acclaimed.


Ralph Waldo Emerson and Henry David Thoreau Lecture Essay March 1, 1846 -A lecture by Henry David Thoreau… Henry D. Thoreau gave an intellectually stimulating lecture. His political and environmental stances enchanted the audience. His ideas are indicative of self-reliance, simplicity and appreciation. His delivery invited each listener to actively enjoy what he said. Thoreau presented his lecture so that the audience had no choice but to ponder and think about what he said. He was passionate in what he said, as his values and views leaked into the audience like a stream branching out from a river. The following is what I took away from his speech. Thoreau began his speech by addressing his purpose of living “alone”-a word of discussion in his lecture- and in the woods of Concord. I quoted a passage that he derived from his own book, under the assumption that it was something of significance, either to the audience or himself. In either case, his statement would reveal a part of Thoreau that was of importance to him. “I never found the companion that was so companionable as solitude. We are for the most part more lonely when we go abroad among men than when we stay in our chambers. A man thinking or working is always alone let him be where he will. ” (p. 1) Thoreau paused after he read. My initial response to this statement was to think about it. So solitude is physically a friend to you? He answered my question before I could question him. In the absence of people, he had befriended the “seasons”. He continued to speak of his Natural friends, like the “birds who sang for him”, and the “rain, which entertained him”. Thoreau’s idea of solitude was that solitude is simply a different state of mind. Instead of the events and actions of other people, he discerned that one’s own actions, thoughts and imagination were of equal value. As he spoke, I began to appreciate what he said. His digression from society wasn’t the result of dislike for it, but a personal value of living through his own eyes, rather than other’s eyes. He did not need material things to measure life. Thoreau’s next venture featured a fisherman. A quiet man who fished by himself at Walden Pond. Thoreau told a story of this man who came to the pond near everyday in the spring and summer. He fished from the shore, never on a boat. Something separated this man from the rest of those who came to fish. After he caught the fish, no matter the size, he would pack up his gear and leave. Where was this story leading? Thoreau admired the man who satisfied himself so easily, although he never spoke to the man. I wondered if it was a true story. Why would a guy want only one fish? Why so easily satisfied? My mind raced as he spoke, trying to devour and process the words that he said. Suddenly, without contemplation, I asked Thoreau a question. “Mr. Thoreau,” I said. “This man you speak of is different from many in his ways. He travels such a distance for such a tiny reward. Why does he settle for less when he could have more without much marginal effort?” Thoreau smiled for the first time during his speech, like he was entertained by my inquiry. “My answer can be no better than yours.” That was all Thoreau said. At least he wasn’t egotistical. His answer seemed to raise me to his level. My answer was just as good as any other answer in the room. Maybe the guy didn’t even like fish; he just wanted to be outside. Or maybe his son drowned there in the pond, and he needed to have a part of him everyday, no matter how big or small of a part it may be. Thoreau continued to talk of the fisherman. Although quiet, the man was not silent. He smiled when others greeted him, and offered his hand when other fishermen sought to launch their boats. “He loves his life, which is something that not everyone experiences,” Thoreau glanced at me. “Is it not easier to be happy when your wants are few?” Here Thoreau began his conclusion to his lecture. “The universe is wider than our views of it. Our eyes are closed. No man will see every inch of our world, and the questions which nature asks us will remain a basis of thought as long as people live. Exploration of the world and of ourselves is the only light that can reveal.” He picked up his book and read. “Start now on that farthest western way, which does not pause at the Mississippi or the Pacific, but leads on a direct tangent to this sphere, summer and winter, day and night, sun down, moon down, and at last earth down too.” (P.87) March , 1846 -A lecture by Ralph Waldo Emerson… Emerson’s lecture was an awesome experience. I had an overall uplifting sensation in my body during his entire speech. He seemed to have a thirst for the unknown, which became contagious. The thirst appealed to a side of me that I had never acknowledged, or even knew existed. He inspired me. Emerson started his lecture with a bang. He read from notes, and peered through his glasses at the audience. He had a certain fire… “The first in time and the first in importance of the influence upon the mind is that of nature.” (P. 84) Emerson spoke of how humans perceive things to formulate thoughts. He named off the five senses, and told how we manipulate them in our processing to fit into our corrupted image of them. He talked of the world, or nature in the context he used, being the shadow of the soul, as if they were one. He presented the idea that we as humans create what we see around us with our minds. And our senses are simply our minds way of creation. What an idea! We always think of the separation between the world and ourselves, but undoubtedly they are attached. “The Universe is the externalization of the soul. Wherever the life is, that bursts into appearance around it.” (P.0) Emerson moved on to a subject that conveyed his value of independent thought. “Meek young men grow up in libraries, believing it their duties to accept the views which Cicero, which Locke, which Bacon have given; forgetful that Cicero, Locke, and Bacon were only young men in libraries when they wrote these books.” (P.86) These young men, to him, were followers in the sense that I give the word. They are the people who learn from others, rather than from themselves. I drew a connection here. If the world is a shadow of one’s soul, then it was like these “followers” are living through other people’s souls. This fake life is not their own, but the answers to somebody else’s questions. Emerson drew a comparison between a poet and independent thinking. He said that the poet is he who puts words to actions. In this way, the poet does not rely on others to listen, or see what he/she sees. The poet, with a perception unused by most, gives life to the dead, and words to emotions. Emerson sees the significance of invention. Any man can learn, but few can invent. I was feeling bold, and to pass up a chance to hear Emerson’s reaction to my thoughts would have been stupid. “Mr. Emerson. A poet reveals to us something we have never seen or heard, like they have a higher sense of perception than other men. What separates such men from the poet?” “Everyone is a poet in their own right,” Emerson’s eyes turned me into glass, “fire burns once it is lit, but the spark that ignites a flame is the poetry. The difference between the poet and other men is in the thinking of each. If a person sees a sunset and writes about what it means to him/her and the emotions they feel at that moment, then they are creating. The average person will see a sunset and write down the colors, describing the sight. The poet does not stop at the color and the form, thus not limiting beauty to the eyes. Beauty exists everywhere, the poet sees this beauty when it is invisible to other men.” I understood what he meant. Everybody is blind to certain things in life. To remove the blindfold is something that is unnecessary, and overlooked. The poet removes the blindfold and not only sees what others miss, but he/she gives meaning to it. Emerson’s lecture concluded with an encouragement to the audience to search life’s limits, and that thought was the key. Thinking encourages self-formulated answers, or imagination, an element that can externalize the soul. I may find the answers to universal questions if my own brain participates in the creation of the circle in which I might find it. “The key to every man is his thought.” (P. 10)







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Friday, May 13, 2011

Romeo and Juliet Essay - Comparing, contrasting and analysing Act 1 Scene 3 in relation to Act 3 Scene 5

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Act 1, Scene differs from prior scenes in that it shows a view of the play ‘Romeo and Juliet,’ from a woman’s perspective, as opposed to the male world of violence and power shown earlier. This is important transition because it allows the audience to empathize with these characters differently and shows an alternative attitude towards the life they live, with varying intentions and ideas. Some audience members would understand and relate to the characters shown here more than in previous scenes, allowing them to fully-immerse themselves in the play’s world and making it seem more realistic.


Introducing the major female character in the play for the first time, the scenes before create suspense and guide the audience through the story by telling them about her. This scene follows Paris’ visit to Capulet, in which he, Paris, requests the hand of Capulet’s daughter Juliet in marriage. The audience learns in Act one, Scene two that Juliet is fair, respectable and wealthy, through this, because for a wealthy Count, Paris, to desire to marry her, she would have to possess those traits. The business-like marriages of the time would only have allowed Paris and Juliet to be joined in wedlock if they and their families were of a similar status in society. The image of her as a sweet and gentile girl - the female equivalent of Romeo - is strengthened by the Chorus, and the play’s title, which both suggest the families of Capulet and Montague are of an equal wealth and position � ‘Two houses both alike in dignity.’ The warm-hearted and considerate Capulet suggests that she is innocent, fearing that she is too young to marry, although she is fourteen a reasonable age to marry at the time. Lady Capulet shows this in act one, scene three by saying, ‘ I was your mother much upon these years,’ so the audience realize she is perhaps slightly immature and young-minded. Even before the scene begins, Juliet’s character is fully shaped. Now all the audience must do is meet her, and wait in eager anticipation to do so.


The Chorus is a technique used by Shakespeare to maintain the audience’s interest and create suspense in other ways, too. This dramatic device tells us of the lover’s futures, even to the extent that suicide is suggested � ‘take their life.’ What the audience as mere spectators do not know is the complex sequence of events, which the ‘star-crosses lovers’ will be transported through. The idea of life being foretold in the stars was something very real for Elizabethan audiences and would not have seemed far-fetched or exaggerated, but mystical and exciting. The idea of destiny is an example of dramatic irony, with the audience eager to know the outcome of the play. The Prologue or Chorus also sets the scene of the play � ‘In fair Verona…’ and tells a little of the climate at the beginning of the play, with the hatred and constant violence between Capulets and Montagues being described as an ‘ancient grudge.’ Minus the Chorus, the root from which this feud stemmed would be unknown and confusing. Without the Chorus, the play could very easily become too intricately-weaved, making this an invaluable device. It succeeds in preventing the audience from becoming perplexed and confused; losing interest in contrast to the captivating suspense, tragedy and emotional turmoil ‘Romeo and Juliet’ possesses.


The moment that the nurse and Lady Capulet enter, it’s made clear to the audience of who they are. This is shown in several ways, delivered to the spectators by both Shakespeare’s chosen language for each, and the way the actors utter it. The contrasting characters emphasize their differences and help to impress upon the audience who they are and their significance in the play. The vast difference in language, especially when they say exactly the same thing, shows their character traits very prominently. In their attempts to persuade Juliet to look at Paris as a lover, Lady Capulet says, ‘The valiant Paris seeks you for his love,’ while as the nurse takes the rather more sexually-orientated approach, perhaps crying out, ‘…Lady such a man… Why, he’s a man of wax.’ The two views of ‘love’ shown in this scene are also different to the ‘love’ which Romeo and Juliet share. It is that ‘love’ which we are led to believe is real.


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Lady Capulet’s language and movement, as I imagine it, suggest very strongly is reserved and even cold at times, seeming to care more for what the Capulet family might gain from Juliet’s marriage to Paris, than how Juliet herself might feel in such a relationship. ‘Ladies of esteem,’ Lady Capulet refers to, ‘Are made already mothers,’ and it is this status which she one day wishes Juliet to be elevated to, and speaking, ‘in brief,’ she only cares for a simple answer, declining to tell Juliet anything about Paris except a little of his wealth and position. For this reason, the nurse could have been more of a motherly-figure to Juliet than Lady Capulet.


The nurse was not only a wet nurse to her, as she says Juliet did, ‘…Taste the wormwood on the nipple,’ but genuinely seems to care about Juliet, referring to her as a ‘lamb’ and a ‘ladybird,’ not just a ‘daughter’ relation, by blood but not affection. Although this comic stock character is sometimes vulgar and rather coarse, the nurse’s anecdote shows real affection for Juliet, which is never given by Lady Capulet. She is a lovable character, and to the audience of the time, the anecdote could be both comical and endearing.





Throughout this scene, Lady Capulet and the nurse make plans for Juliet’s future. Shortly before this, Romeo too plots to arrive uninvited to the Capulet’s banquet in order to secure his future, hoping then to spend it with Rosaline, whom he believes he loves. These two happenings seem unrelated, but the audience knows that Romeo and Juliet are destined to fall in love, despite their other motives behind their actions. The foretold tragedy is the inevitable conclusion of the ply, again creating suspense through the way in which their deaths arise. It’s ironic that both groups of plotters (Juliet’s parents and Romeo) both have no intention for the final outcome to arise; yet it will however they act.





Act 1, Scene is important for other reasons, too, in that it breaks the mood of the scenes before, where Romeo moodily broods over Rosaline and the audience feel frustrated that he is following the wrong woman, just as the seemingly compassionate Capulet makes plans for his daughter Juliet, but they are again for her marriage with the wrong person. Despite the knowledge that Romeo and Juliet will meet, and die, there is something throughout the play that makes it seem as if this is not the inevitable resultant; that there’s always a chance to escape tragedy, that fate may be preventable, although of course this can’t happen in the story. Finally, the time when Romeo and Juliet must meet and fall in love has been determined. It’s also another step closer to their deaths, and perhaps a major peak in the play, as one of the first time when humour, pathos and suspense are conjured together, and in such intensity.


In contrast to this, Act , Scene 5 serves a very different purpose to the play as a whole. Although similar in that they both provide pinnacles of character development and plot progression, the world of this scene embraces a divergent mood to that of Act 1, Scene . This mood is demanded by the events which herald its coming. The death of Tybalt increases the tension between the families of Montague and Capulet, which the audience are more aware of than ever, since Romeo and Juliet have just been married. Romeo has been banished for murdering Tybalt and Juliet doesn’t know if she will ever see him again. As the Chorus foretells, the play will end in tragedy and Juliet has already threatened to kill herself, as she disclosed to Friar Lawrence and the nurse � ‘…And death, not Romeo, take my maidenhead!’ she says, dramatically. The audience are, through this, in as much turmoil and anguish with regard to what will happen as Romeo and Juliet are.


The vast difference in language, mood and pace is an important contrast employed by Shakespeare to create dramatic effect. While as the beginning of Act , Scene 5 is full of imagery and romantic language, Act , Scene 4 is short, business-like and deals only with facts and arrangements. In the beginning of Act , Scene 5, (before lines 6 onwards) the language used by Romeo and Juliet when they are aloft at the window of Juliet’s room is elaborate, with exaggerated expressions of love, in which Romeo even agrees to stay and face death as Juliet seems to wish. Romeo says, ‘Night’s candles are burnt out, and jocund day stands tiptoe on the misty mountain tops.’ When he could have much more simply said that it was morning and he had to leave. The delaying tactics - the opposite of the pace in Act , Scene 4 - add to the effect. Romeo and Juliet take a long time to say good-bye. In Act , Scene , the brief parting phrase is merely ‘farewell’ and another succinct exit is made by ‘good night’ in Act , Scene 4. Romeo uses, ‘Adieu, adieu!’ in Act , Scene 5 to bid farewell to Juliet. The religious connotations (‘I commend you to God’) stress the seriousness of their parting - it’s the last time they will see each other alive. The shortness of Act , Scene 4 emphasizes the haste of planned marriage with a sense of urgency carried throughout. This dramatic technique of transition maintains the audience’s interest with rapid changes of emotion and character objectives, frequently causing them to feel involved with the play because of the injustice or immorality certain parts are tainted by.


Shakespeare regularly voices his opinions about arranged marriages, often going against the common attitudes of the time. It is suggested that the ‘real love’ mutually felt by Romeo and Juliet is not like that within Paris for Juliet. It’s clear that Capulet doesn’t see love as Romeo and Juliet do, as he says, ‘I think she will be ruled in all respects by me; nay more,’ suggesting that consent for marriage, he feels, should be based upon the wishes of others who are more powerful than you, and not the couple together. Shakespeare leads the audience to dislike Capulet, so it’s unlikely that he shares his views.


Another important dramatic technique is irony. It is a device used throughout the play, although perhaps to its fullest extent in Act , Scene 5. Since the Chorus at the very beginning of the play, the audience have been aware of more than the characters know. Their curiosity is aroused by the sequence of events, which will lead to the inevitable. In Act , Scene 4, for example, they know of the marriage of Romeo and Juliet, which has taken place secretly. In Act , Scene 5, they are aware of Capulet’s plans before Juliet is. This would increase the anxiety they feel, because they do know she has to find out, but not how she will react or choose to proceed. In addition to this, Shakespeare conjures pathos for both Romeo and - more especially - Juliet. After being carried along with the romance, the audience are thrown back into reality, just as the lovers are. Shakespeare consistently manages to compose empathy in his play’s audiences, which is why they are so mesmeric.


When Lady Capulet enters in Act , Scene 5, the audience are aware of the news she will bring to Juliet, who is still crying for Romeo. Throughout this part of the scene the audience know what she means while as Lady Capulet misunderstands. Juliet’s ambiguous speech and double-meanings make it very difficult for her mother to apprehend what she says. Shakespeare makes use of this confusion, combining it with ironic hints as to what will happen next. Juliet says, referring to Romeo, that she will never be happy, ‘…until I behold him… dead.’ The next time Romeo and Juliet do meet, they both die in the Capulet’s tomb. The movement and bodily expression of the characters is particularly important in this scene because the stage directions are so specific. It’s vital, for example, that Lady Capulet is unaware of what Juliet says when the direction ‘aside’ is performed. Juliet appears to be in a stupor in this scene, speaking of her mother as opposed to directly to her. A climax is created because the audience is eager to know how Juliet will react to the news.


Lady Capulet is as aloof and reserved as she was in Act 1, Scene , while as some of the other characters experience an immense conversion. The audience already knows of Capulet’s changed plans to have Juliet married very soon, and not when she is older as he previously set the date to. When he enters Juliet’s room, his tone and language are different immediately. Instead of being sympathetic for Juliet, as he thinks she is crying over Tybalt’s death, he patronizes her saying, ‘How now, a conduit, girl?’ condemning her for crying so much and so profusely. He appears shocked that she has disagreed with the ‘decree’ for her to marry Paris, calling her unworthy and ungrateful. Juliet is obstinate, unlike Act 1, Scene , where she submissive to the will of her parents saying, ‘I’ll look to like, if looking liking move; but no more deep will I endart mine eye than your consent gives strength to make it fly.’ Juliet no longer seems to be the delicate only child of Capulet who requires protection and shelter, and her character develops as he treats her differently. Capulet shows her such scorn that he even threatens to throw her out of the house, which would almost certainly have resulted in her starving. He calls her a ‘green-sickness carrion,’ taunting her for being such an age and still unmarried. In contrast to the comments he made regarding his precious child of earlier, whom he expressed he would hate to lose, as he was blessed with her, he now says to his wife, ‘We have a curse in having her,’ as his rage builds up into a crescendo. It isn’t the first time this side of his character has been revealed as he showed his obstinate nature at the banquet when Tybalt attempted to rid it of Romeo.


The audience’s sympathy for Juliet reaches its peak, as Juliet is clearly desperate not to marry Paris, believing that she will be damned if she is unfaithful to Romeo. ‘Good father, I beseech you on my knees,’ she pleads, despite what he has already said to her, she remains calm but resilient. Even the nurse feels it is necessary to argue at this point, seeing that Juliet is so fraught as to threaten to take her own life. In Juliet’s eyes, the nurse betrays her by urging her to marry Paris despite her knowledge of Juliet’s marriage to Romeo. Even Lady Capulet tells her husband, ‘You are too hot,’ but refuses to help her daughter, despite this. Her heartrending final attempt creates a summit of pathos amongst the audience � ‘Is there no pity sitting in the clouds…?’


The isolation Juliet feels as this point in the scene is quite the opposite of the way she felt as of Act 1, Scene closed, when she was excited by the prospect of attending the banquet and seeing Paris. Her character exit makes it clear that she is very abandoned and as each other character leaves, their rejection of her is reinforced. She turned to each for some facilitation, but none could nor would give her what she needed. Again, there are acute differences with this exit when compared to that of Act 1, Scene , in which Juliet is enthusiastic about the banquet and Lady Capulet, her father and the nurse are supportive towards her. This makes the audience even more stunned at the way she has been treated, because the change is so dramatic. The nurse is the last to leave because in spite of her rejection of Juliet, she doesn’t turn away from her completely as Lady Capulet and her husband have. The audience are left with suspense yet again, not knowing how the inevitable sequence of events will progress. Juliet resolves to visit the Friar, and has already spoken of Potions and poisons earlier in the scene. They are in trepidation and wait expectantly.





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